Here’s how Dante begins his Paradiso – not with himself, as in his previous two canticas, but with God: This third and final phase of Dante’s journey begins in the relative world – the world of more or less, of hierarchy, of the many not the One, of the universe as a separate physical entity. […]
A new book and touring exhibition takes visitors on a unique A–Z journey through Cornish places and their richly resonant names, in poetry and photography. Tom Scott writes about his involvement and the project’s objectives. Angarrack, Feock, Halliggye Fogou, Nancekuke, Ponsanooth, Zennor… What secrets of language, history and legend can Cornwall’s place names unlock? I’ve […]
Most of us know the West Country as home of the Tolpuddle Martyrs and their struggle for trade union rights. It is less well known that Dartington Hall in Devon is where the Labour Party manifesto Let Us Face the Future was written. This set the direction for the 1945 Labour government, founding the NHS […]
Two streams from the same source flow through the verdant earthly paradise. Dante must get a dunking in both of them before he is ready to ascend to the stars. After his evisceration at the hands of Beatrice, Matilda brings Dante to Lethe, the stream of forgetfulness, which purges him of all his shameful memories: […]
It’s the moment Dante’s been waiting for! He is to meet Beatrice again, after more than 20 years of separation. We might expect a joyous reunion, but that’s not at all what we get. We left Dante relaxing amidst the grass, flowers and trees of the earthly paradise, beside the stream of Lethe. A woman, […]
Reason can only take you so far. At the summit of purgatory Virgil reaches the limits of his knowledge. His task done, he crowns Dante master of himself, ushers him into the earthly paradise and turns for home in limbo. The wall of fire that purges the soul of lust is the final barrier before […]
Bird similes abound throughout the Comedy. I find this one, in which Dante compares himself to a fledgling stork, delightful: Ostensibly, Dante is making a play for our sympathy here by presenting himself as young and eager for knowledge, yet hesitant to ask a question, doubtless out of reverence for the older and wiser Virgil. […]
Except for the good pagan poets found in limbo, Dante places all the poets in his Comedy among the saved, most of them high on the slopes of purgatory. Poets have a high calling in life and this is reflected in their fate after death. Dante is keenly aware of the poet’s mission as prophet: […]
Virgil’s great exposition on love is centrally placed in the Comedy, occupying Cantos 17 and 18 of Purgatorio. With this, Dante signals that love, and the understanding of love, are at the heart of his poetic matter. Doctrinally, the ideas Dante attributes to Virgil are standard-issue medieval philosophy, derived from the teachings of Aristotle and […]
Life’s not a zero-sum game, say the souls on the Terrace of Envy, so don’t live it that way. Dante doesn’t ‘get it’ at first, but Virgil explains. We have just met Guido del Duca, scion of one of the leading families of Romagna, the region next-door to Tuscany, where Dante comes from. Like all […]
The Divine Comedy is primarily a vision. It is the story of how one man, through grace, becomes pure in heart and hence able to see God. During his first night on the mountain, Dante’s damaged inner sight is cleansed and healed in preparation for the work of penitence that awaits him in purgatory proper. […]
A few months ago, doing my daily trawl through the headlines of the Spanish newspaper El Mundo online, I spotted among the front-page headlines: “Xavier Gisbert: “Las leyes educativas llevan años sin aportar nada a la enseñanza de idiomas“. (‘For years the education laws have contributed nothing to language teaching.’) I’ve known Xavier since the […]
Like the penitent souls, the poets cannot climb once the sun has gone down and so must halt for the night. The twilight hour draws from Dante some of his loveliest lines: These lines are recalled every evening at the tomb of Dante in Ravenna, where the bell of the nearby church chimes 13 times […]
The first canto of Purgatorio celebrates our release from the pain and grief of hell. Virgil washes Dante’s face in the morning dew. Dante begins by announcing the change of mood: Boats and ships feature strongly in the Comedy, as symbols of the soul’s journey towards the divine. Here Dante is at the helm, his […]
We are out of hell, but still close to the centre of the earth and it is still dark. Through the blackness, Dante can hear the trickling of a stream: The hidden passage that connects Inferno and Purgatorio is one of Dante’s masterstrokes, entirely his own invention. It conveys the idea that there is, after […]
In the final canto of the Inferno Dante must confront Satan, where he lies trapped in ice at the centre of the material world and the universe. The deepest part of hell, the ninth circle, is Cocytus, a frozen lake shrouded in thick fog and blasted by icy winds. It is fitting that this place […]
Ulysses is the greatest of the Inferno’s tragic heroes. Dante’s invented story of his last voyage is about leaders who lie. We are among the false councillors, in the eighth ditch of the Malebolge in Circle 8, the first circle of the fraudulent, close to the lowest depths of hell. These gifted people, often […]
There are moments in the Comedy when Dante burns with righteous anger. One of them is his encounter with the simoniac popes. Strictly defined, simony is the buying or selling of spiritual gifts, offices or artefacts. A form of corruption, it’s named after Simon Magus, a first-century sorcerer who is said to have asked the […]
On burning sands, under a soft rain of flames, Dante meets his former mentor, Brunetto Latini. His “sin” is homosexuality, according to the dictates of formal religion. But what does Dante think? We are in the circle of the violent against God, nature and art. The naked souls here, whose baked features are caked with […]
Suicide is the ultimate form of self-harm. In Inferno 13, Dante invents a new language of pain and despair to evoke the tortured minds of those who choose this ending. At the start of the canto we return to the landscape of the poem’s prologue, finding ourselves, again, in a pathless wood – not coincidentally, […]
I just spent 45 minutes sitting in a bunker in central Exeter listening to sirens and bombs. This was Four Of Swords Theatre’s performance To Refuge, based around a work by Ukrainian playwright Elena Hapieieva: In the Bowels of the Earth. It was immersive theatre at its most intense. The performance takes place under The […]
I interviewed Stroud-based printmaker and artist Nat Morley about her unique processes, her protest art and her time spent with Barrel Well Aboriginal Community, Australia. Nat was a prize-winning geographer at Oxford University, sings with Tewkesbury Abbey choir, and her artwork is on permanent display at the Cotswold Craftsmen Gallery in Nailsworth. Leslie: What are the main artistic medium/areas you work in? […]
The film ‘Operation Mincemeat’ released over the Easter weekend, tells the exciting story of a key event in the second World War. The Germans were tricked into thinking that an attack on Europe from North Africa would start in Greece rather than the more obvious route through Sicily. Historian Hugh Trevor-Roper called it “The most […]
We wrote about the wonderful Ashburton Arts Centre back in October 2020 and director Andy Williamson explained why the venue was so loved by performers. The Tinners Moon Festival, which had had to be cancelled in 2020 due to the pandemic, is in full swing right now and you really shouldn’t miss the opportunity to […]
Regular readers of my Facebook posts will know that it is my position that this current government is dangerous because of its incompetence. I recognise that many of you find them to be cruel, or their policies deliberately designed towards the vicious and unnecessary, but my own experience is that they haven’t got a clue […]
“They’ve got under my skin”, says Lyme Regis artist Christine Allison, as she stands in the museum’s quirky rotunda, surrounded by the metre-square ‘portraits’ of six highly individual trees. “And I realise that I am approaching painting them as I would a portrait of a human or an animal.” Gnarled and twisted or smooth and […]
Among the carnal sinners in the second circle of hell, we meet Paolo and Francesca. Of all the stories in the Inferno, theirs is perhaps the one that most invites our empathy: the seventh of Simon Chater’s dips into Dante. Dante’s scene-setting is a powerful example of contrapasso – the idea that the punishment should […]
“Carrero Blanco was blown up two streets away,” Isabel, my señora, mentioned casually on a chilly Madrid afternoon in December 1983 as we sat in her luxurious flat on Calle Hermosilla. “Have you heard of him? Ten years ago today, ETA blew up his car in Claudio Coello and it flew right over a church. […]
In early 2021 Plymouth’s “Look II” sculpture by Sir Antony Gormley was in the headlines. Opinions on the sculpture varied, but publicity focused on its price. I welcomed new grant-funded public art to the city, but because Plymouth City Council refused to disclose the cost of the sculpture, I shared other people’s concerns about secrecy. […]
Led by Virgil, Dante sets out on his journey. At the entrance to hell he sees these words inscribed over a dark gateway: The famous line here is the last, wryly quoted today in many a workplace and home. The absence of hope is the defining feature of hell, as anyone stuck in a dead-end […]